Kayla AK’s entry into music was not one of seeking to be heard, but of creation. She’s searching for an identity and using music as a means of sorting through experiences, dealing with issues, and creating something that can be left behind to mean something for others. That method has allowed her to develop some distinction in an overcrowded market.

“I don’t want to sound like everyone else, nor do I want to write somebody else’s story,” Kayla mentions. “Whatever I write, it has to be something that means something to me.” Kayla AK’s path is not that of shortcuts. Without the machinery of an industry tag or going-viral status to propel her, she’s depended on discipline and persistence instead. From working on her visuals to leading rollouts, her proven career to this point shows keen insight into the music industry.

Rather than being under pressure to churn out constant content, like most other artists, Kayla has been thoughtful and deliberate about every release. Her songs frequently combine storytelling about her life with observations about life in general. That kind of thinking is starting to speak to increasing numbers of listeners, especially listeners who want to hear realness in an algorithmic marketplace.

Lyrically, Kayla’s work carries a tone of reflection. She raps of tenacity but avoids cliches and discusses hardship without glamorizing it. The equilibrium that is attained is not very commonly seen. Kayla AK is part of one of the newer initiatives of an era of hip-hop where power is in simplicity, and success is measured by ownership, not figures. “My number one is still being in charge of what I’m doing,” she says. “That means saying no to ideas that don’t work in what I’m envisioning, even when it’s tempting.”
On the horizon, Kayla AK is determined to expand her audience, not just online, but in live shows and in collaborative efforts as well. In an industry where artists burn out chasing trends, Kayla AK is taking a different route. One based on purpose, patience, and the kind of empowerment that extends well beyond the lyrics themselves.

Listen to Kayla AK on Spotify:

The Cobb County Sheriff’s Office reported that the rapper, whose real name is Karrah Schuster, was taken into custody on Saturday and later released after posting a $1,000 bond. Her mugshot has now been made public. The Atlanta-raised female vocalist took to social media to claim her innocence.

In early 2025, Karrahbooo responded to speculation about her status with Lil Yachty’s Concrete Boys, explaining that she hadn’t been dropped but was restricted from releasing music on her own. She also expressed her discontent with the music industry, describing it as “weird and confusing.” More recently, Yachty refuted claims that he was preventing her from releasing music, stating he held no grudge or ill will toward her.

After his new single “Tweaker” gained viral attention, Ball has been announced as one of the performers for Rolling Loud LA 2024, scheduled for March 15-16 at Hollywood Park. Ball’s single has received high praise on social media for the song’s old-school feel and sound, reminiscent of the early 2000s.

Rolling Loud has been building excitement around the former pro-athletes debut at the festival across social media. The event will also feature acts like: A$AP Rocky, Playboi Carti, and Peso Pluma, with additional performances from YG, Sexyy Red, Ken Carson, Destroy Lonely, Cash Cobain, Quavo, and many more throughout the weekend.

What sets “Homicide Freestyle” apart is how it tells its story in such a raw, unfiltered manner. The song is not a narrative of events but rather an emotional arc of a man who came out stronger after a life-threatening situation. Moka Blast brings authenticity to his delivery, one that cuts right through to listeners who want true representations of the streets in their hip-hop. The production value complements this in great ways, giving a modern, yet simultaneously very true hip-hop, narrative. The hiatus, though unwanted, granted Moka Blast a very rare opportunity to actually hone and work out his artistic vision. Without any release schedules or expectations on the part of the general public, he had time to think through all his experiences and precisely how those best translated into music. The result is a track that feels both meticulously thought out and emotionally spontaneous, a balance that is reached very rarely in hip-hop.

“Homicide Freestyle” is a vision for Moka Blast’s future. It shows a deeper, more narrative approach to his music, one that takes all his past work and imbues it with the hard-won wisdom of the last few years. Through his new recording home at FGC Recording Studios in Las Vegas, Moka is positioned to continue this evolution, including collaborations that will further expand his artistic horizons. As Moka Blast returns to active recording and performance, “Homicide Freestyle” is at once both a milestone and a first step. It testifies to how adversity can shape an artist’s sound and perspective, building music that resonates on a deeper level with listeners. For Moka, this isn’t just a comeback single; it’s the first page of a new chapter in his artistic journey, promising to combine personal truth with musical innovation.

Listen to “Homicide Freestyle” now:

“And of course, my day one real Cleveland representer, Machine Gun, like wassup?” Drake said before shouting out Lil Durk, who was standing close by. Fellow Cleveland-bred rapper Doe Boy had also popped up at the show.

The song was also previewed live on Monday night in Miami, which brought out special guests including Offset, Freddie Gibbs, Lil Durk, Kodak Black, Chris Brown, and even Kanye’s daughter North West.

“I wouldn’t be able to play flute or any of this stuff. I wouldn’t have produced any of this if it wasn’t for the Dungeon,” 3 Stacks said of the sustaining importance of his earlier Dungeon Family period. “So the Dungeon was the dirt.”

Drake’s hiatus from the studio was brief, and he wasted no time working on “Scary Hours 3.” The announcement was accompanied by a cinematic trailer filmed at Roy Thomson Hall in Toronto, adding to the anticipation for the new release. “For All the Dogs Scary Hours Edition” adds more content to his recent album, “For All the Dogs,” extending the total duration of the project to one hour and 48 minutes.